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Exact Lookalikes Catfight Part 1

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Offline themodsquad

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Exact Lookalikes Catfight Part 1
« on: April 22, 2025, 02:41:00 AM »

"Room 9"

The diner was the kind that curled out of the highway like a relic—silver-sided, with faded neon flickering "EAT." It was the kind of place where no one looked too long at anyone else, where the coffee came burnt and the pie tasted of the freezer.

But on this particular Tuesday, just after 4 p.m., two women looked too long.

Fran was sipping coffee at the counter when the bell above the door rang. Her eyes lifted. And there—entering like a hallucination—was a woman who looked exactly like her.

Mid-thirties. Brunette. Full hips, thick curly hair that couldn’t be tamed no matter what kind of conditioner they sold at CVS. Same shape of the eyebrow. Same annoyed arch of the left one.

Fran blinked. The woman blinked too.

Neither smiled.

The other woman—let’s call her Ann—sat two stools down. Close, but not too close. She ordered a grilled cheese, ignoring Fran completely. Fran, likewise, ignored her. Except neither one was actually ignoring. Not even close.

They kept looking. Glancing in the side of the chrome napkin holder. In the reflection of a spoon. In the faint mirror behind the liquor bottles. Matching faces caught and held and recoiled.

It wasn’t a spark. It was more like a wrongness. A sick twist in the gut. Something old and violent, like a memory of someone else’s fight. They hated each other instantly. Deeply. Without words. They both were single, in their 30's. Both used to being by themselves.

Fran paid her check and stood.

So did Ann.

Outside, rain had started. The parking lot was nearly empty, save for two old sedans that didn’t lock properly. Fran got in hers. She watched in the rearview mirror as Ann climbed into the other.

She pulled onto the road.

Ann followed by an uncontrollable urge.

Mile after mile, taillights and headlights dancing through the misting rain, until Fran took a hard right down a two-lane blacktop and pulled into the Pine Hollow Motor Court—a line of cheap, single-story rooms under sagging pines. She got out. Walked to the office. Paid in cash.

Ann waited. Then did the same.

Ten minutes later, Room 9.

They both stood in the middle of it. Wet hair curling around their shoulders. Clothes damp from the air.

They hadn’t spoken a word.

Ann reached behind her neck and pulled her shirt over her head.

Fran unlaced her boots slowly, not breaking eye contact.

One piece at a time, they disrobed. Stripped bare under flickering lamplight, their bodies matching in a way that felt obscene. Curves mirrored. Freckles and moles in the same scatter. Like someone had hit "copy" and forgotten to paste a soul. Their 38D breasts had the same sized nipples that hardened with excitement. But it was their now exposed pussies that really became the focus for both of them. Both had giant full thick brunette bushes. This silently became the target in each others mind but they didn't say it out loud.

No mirrors in the room. Just them.

And then—without warning—they lunged.

No words. No screams. Just flesh and heat and teeth. No rules. No endgame.

As if the only way to answer the wrongness was to destroy it.


The first hit wasn’t clean.

Fran’s palm slammed against Ann’s collarbone, shoving her back into the motel’s peeling wall. But Ann didn’t stumble. She snapped forward like a hinge and shoved her whole weight into Fran, tackling her onto the bed.

They weren’t graceful. It wasn’t choreographed. This wasn’t the movies.

It was elbows. It was knees. It was hair tangled in fingers and thighs grappling for leverage. Naked skin slapping against naked skin, slick with sweat, breath heaving, shallow and fast.

Fran twisted, kicked upward, and threw Ann off with a grunt. The other woman hit the carpet hard and scrambled up,  biting her lip. Frances stood too, breathing hard, chest rising and falling.

Their eyes locked again. It wasn’t rage, exactly. It was disgust. Curiosity. Fear. Like looking at your reflection in a funhouse mirror and realizing the face staring back wants to see you gone.

Ann came in swinging—hooked her arm around Fran’s neck and dragged her sideways into the dresser. They crashed into it with a loud crack of particle board. The lamp fell, bulb shattering. The room dimmed, shadows slanting strange across their bodies.

Fran, coughing, elbowed backward. Felt ribs. Swung again, harder. Anna grunted, let go. Frances spun, grabbed a handful of curls and yanked, hard. Ann shrieked, her voice sharp and feral, and clawed at Fran’s side. Then the moment arrived: both right hands grabbed a handful of bush while the other clamped head hair for a mutual pull. Tugging back and foth they stood in the center of the room.  Two fingers eventually found their way into the other's pussy and cxnt lips were pulled.

To Be Continued......

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Offline Sahara

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Re: Exact Lookalikes Catfight Part 1
« Reply #1 on: April 22, 2025, 08:50:44 AM »
Hot.
It was a voluptuous scene, that masquerade….

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Offline sinclairfan

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Re: Exact Lookalikes Catfight Part 1
« Reply #2 on: April 22, 2025, 01:37:49 PM »
Pretty good.  A few unanswered questions, at least for me:

<> Wouldn't the want to hear each other speak, if nothing else than to hear if their voices sounded the same?.....

<> ....and to gauge each others' fear?

<> Were they in similar careers?....

<> .....in similar soci-economic strata?.....

<> .....with similar fight experience levels?

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #3 on: April 22, 2025, 11:26:34 PM »
All will be addressed to in the continuing story. The psychology as well. The weirdness but based in a reality

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #4 on: April 26, 2025, 03:45:30 AM »
Room 9 – Part 2

The fight slowed. Not ended—just burned down like coals after the blaze.

They collapsed beside each other on the rough motel carpet, naked and panting, limbs splayed like survivors of a wreck. The room stank of sweat and motel bleach. Somewhere outside, rain ticked on the roof.

Fran coughed, then laughed. Just once. A dry, bitter sound.
Ann didn’t laugh, but she didn’t move either. Their bodies still nearly touching. Breasts rising and falling in tandem.

“Where the hell are you from?” Fran asked finally, voice hoarse.

“Boise,” Ann muttered.

Fran turned her head. “You’re kidding.”

“Nope.”

“I’m from Nampa.”

Ann turned too. Their noses were barely a foot apart now, eyes catching like knives.
“You go to Columbia?” Fran asked.

“Two years. Dropped out.”

Fran blinked. “Same.”

They sat up slowly. Cross-legged on the carpet like mismatched reflections. Their skin was scraped in places, reddened where nails had found flesh.

Ann rubbed her jaw. “You ever been married?”

Fran shook her head. “Almost. He bailed six weeks before.”

Ann made a sound in her throat. “Same. What was his name?”

“Ethan.”

Ann’s eyes flared.

“No,” Fran said, stunned. “No way.”

Ann just nodded. “Ethan Thomas. Worked in tech. Thought he was smarter than he was.”

Fran stared. Then barked a laugh—sharp and ugly. “Oh my God. We got played by the same guy?”

Ann stood abruptly, pacing now. “You think this is funny? I lost two years to that bastard.”

Fran stood too. “Yeah? Try four. I moved for him.”

“You’re lying,” Ann snapped.

Fran stepped forward. “Why the hell would I lie?”

Ann’s face twisted. “Because you want to win.”

“There’s nothing to win, Ann.”

Silence.

Then Ann’s voice dropped. “Don’t say my name like you own it.”

Fran’s nostrils flared. “It’s mine now too.”

That was it.

The second fight didn’t have the same hesitance. This time, it was personal.

They slammed together like magnets with opposite poles—flesh slapping, hands grasping at faces, at shoulders, at anything to shove or grip or twist. The motel room blurred into a haze of motion and noise.

“Liar!”

“Bitch!”

They crashed into the bed again, the springs groaning under the force. They rolled—Ann on top, then Fran—faces pressed close, their identical eyes wild, lips curled back in a snarl.

“Say it,” Fran hissed, breath hot against Ann’s mouth.

“Say what?” Ann snapped, shoving her forehead into Fran’s.

“That you hate me.”

“I do,” Ann spat. “I hate your face. I hate your voice. I hate how you look like everything I tried to escape.”

Fran’s fingers dug into Ann’s hair, yanking hard. “You hate yourself.”

Ann screamed—a wordless, furious sound—and shoved Fran against the wall, their bodies slamming again, this time chest to chest, cheek to cheek.

“I should’ve broken your nose when I had the chance,” Ann growled.

“You still can,” Fran whispered, and smiled, bloody-lipped.

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Offline sinclairfan

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Re: Exact Lookalikes Catfight Part 1
« Reply #5 on: April 26, 2025, 02:22:38 PM »
....but what explains the physical resemblance?.....are they step-siblings?.....cousins?.....

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #6 on: April 26, 2025, 03:40:32 PM »
....but what explains the physical resemblance?.....are they step-siblings?.....cousins?.....

It’s a freak of nature. It’s the root of the whole idea. They’re not related in any way but just look like each other and that’s the high strangeness. It doesn’t have to be science fiction or separation at birth or anything like that. This really happens in real life. I’ve seen personally two examples to this for real. In both cases there’s no wanting to find out the why. One was me. The other a woman. In my case there’s was very little need to talk to each other. There was an uncomfortable silence. I just wanted to go somewhere where we wouldn’t be seen and strip and fight. 100% he felt the same but we were too weirded out to talk it out. In the case of the woman it was exactly the same thing
I write to fulfill the dream I had of actually doing it

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #7 on: May 05, 2025, 10:55:38 PM »
Encountering an identical lookalike—someone who is not merely similar, but uncannily identical—can trigger a deeply unsettling psychological response. This phenomenon taps into the uncanny valley effect, in which something almost human, or too similar to oneself, provokes discomfort or even revulsion. But when the resemblance is exact, the psychological reaction intensifies, challenging the integrity of the self and provoking a crisis of identity.

At the root of this discomfort is the existential threat posed by a perfect double. In a symbolic sense, this other person represents a version of the self that exists outside one’s control—an autonomous mirror that walks, talks, and judges. Rather than feeling kinship or camaraderie, the double is often perceived as a rival, an intruder in the psychic space reserved for the self. There is no room for both.

This rivalry, psychological in nature, becomes personal and deeply primal. The double is not merely a competitor for social standing or personal relationships; it is a competitor for being. Each is a threat to the other's uniqueness, undermining the illusion that one's identity is singular, fixed, and irreplaceable. That threat breeds hostility. Friendship is off the table, not just because of antagonism, but because intimacy with the double would require acceptance of a shared identity—an unbearable collapse of boundaries.

The desire to resolve this rivalry through physical combat—alone, in private, and stripped of clothing—adds layers of symbolic significance. Nudity in this context is not erotic but existential. To be naked is to be without armor, without disguise, without the mediating layers of society, class, or identity performance. It is an act of total exposure, a confrontation at the most primal level. Fighting in private emphasizes that this is not a spectacle for others, but a deeply internal battle externalized—two selves grappling for dominance or survival.

The desire to fight rather than reconcile expresses an unconscious need to reestablish the integrity of the self by defeatingthe other. Only one can remain. The physicality of the fight speaks to the desperation to resolve a psychic crisis through brute assertion, as if only one version can claim full reality, while the other must be eliminated—reduced to a ghost or shadow.

In this way, the double becomes not just a rival but a mirror of unresolved internal conflict. The fight is symbolic of integration or annihilation: a violent confrontation with aspects of the self that cannot be acknowledged peacefully. To see oneself in another and wish to destroy them is to reveal how fragile the sense of identity can be, and how easily it can fracture when mirrored too clearly.

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Offline CuriousCombat

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Re: Exact Lookalikes Catfight Part 1
« Reply #8 on: May 05, 2025, 11:40:54 PM »
....but what explains the physical resemblance?.....are they step-siblings?.....cousins?.....

It’s a freak of nature. It’s the root of the whole idea. They’re not related in any way but just look like each other and that’s the high strangeness. It doesn’t have to be science fiction or separation at birth or anything like that. This really happens in real life. I’ve seen personally two examples to this for real. In both cases there’s no wanting to find out the why. One was me. The other a woman. In my case there’s was very little need to talk to each other. There was an uncomfortable silence. I just wanted to go somewhere where we wouldn’t be seen and strip and fight. 100% he felt the same but we were too weirded out to talk it out. In the case of the woman it was exactly the same thing
I write to fulfill the dream I had of actually doing it

Doppelganger. You are talking about doppelgangers and they do exist. The similarity leading to conflict isn't that far fetched either. Good story.

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #9 on: May 06, 2025, 01:44:39 AM »
I’m not talking about fantasy here. Doppelgängers belong to the fiction world. I’m talking about the real occurrence where the doubles exist and actually need the fight, maybe fueled by the fantasy and tales of doppelgängers.
Real is the difference. It’s extremely erotic and primal and explained a bit in that research analysis.
As I’ve said I’ve seen this to be true

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Offline CuriousCombat

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Re: Exact Lookalikes Catfight Part 1
« Reply #10 on: May 06, 2025, 02:07:37 AM »
I’m not talking about fantasy here. Doppelgängers belong to the fiction world. I’m talking about the real occurrence where the doubles exist and actually need the fight, maybe fueled by the fantasy and tales of doppelgängers.
Real is the difference. It’s extremely erotic and primal and explained a bit in that research analysis.
As I’ve said I’ve seen this to be true

It's true that the idea of doppelgangers came from fantasy but there are enough cases on the internet of people meeting strangers who bears a striking resemblance to them.

Perhaps, "look alikes" might be a better term in that sense, though I have seen the use of term of "real life doppelganger" more than once.

Anyways, my point being your thoughts about that phenomenon are expressed well through your story.
« Last Edit: May 06, 2025, 02:08:11 AM by CuriousCombat »

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Offline sinclairfan

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Re: Exact Lookalikes Catfight Part 1
« Reply #11 on: May 06, 2025, 03:24:33 PM »
I like the scenario of 2 women who look similar, BUT wear the IDENTICAL hairstyle and color and length.

Irresistible desire to wreck the other's hair.

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Offline themodsquad

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Re: Exact Lookalikes Catfight Part 1
« Reply #12 on: May 07, 2025, 05:19:03 PM »
I like the scenario of 2 women who look similar, BUT wear the IDENTICAL hairstyle and color and length.

Irresistible desire to wreck the other's hair.

Of course! That's a big part of it. Hair pullling with foreheads pressed together looking into each others eyes then a right hand snakes down between each others legs to grab extremely hairy bushes to yank and pull. Then the other hand reaches around to the ass cheek to slip a thumb to feel the anus while fingers are inserted into pussies. Whispering "I hate you" to each other