Those tremors running through you aren't the little shakes of shocked nerves or the shudders of a body in pain. That's a fucking seizure, Rowan. That's your brain bouncing off the inside of your demonic little skull and sending dark waves through the wreckage of your fucking body. I hit you so fucking hard you can't even speak English anymore. And I'm not done.
I jerk your face up by your bloody hair, seeing the little crimson bubbles aerating at your lips. Your eyes are blank and glassy, little crescent idiot moons, showing none of the dark fire that lit them before. And as I look into that blank ruined mask painted that thick rich crimson - ha, you're gonna need a blood transfusion, bitch. I hope someone in Paris has the same poison that runs in your veins - I don't see fucking anything.
I don't see anyone I fucking know.
"I DON'T EVEN KNOW WHO THE FUCK THIS BROKEN LITTLE BITCH IS," I snarl, DRAGGING you up. My leg screams bloody agony as I force it up, but the crowd is screaming, the announcers are screaming, everything is fucking screams and discord and the beautiful cacophony of hell.
You're such fucking dead meat now that I have to muscle you up with raw force, dragging your sagging, shuddering form to your boots.
And you don't look like anyone I know.
Which is too bad, because there's a girl I knew once who'd have really appreciated this scene.
"You wanna see the sexiest thing I've ever seen?" she said to me in that wicked voice like a slow pour of whiskey, and that seemed impossible for me to imagine because I was already draped over her naked body in the hotel bed, glossed in afterglow, drawing my fingertips in slow skating lines along the perfect sweep of her back and down to her exquisite ass.
"Already there," I purred dreamily.
She slapped teasingly at my hand and took my wrist, tugging me over to look at her laptop, resting at a canted angle at the corner of the bed.
It was YouTube, showing old footage. Fuckin' GCW, I recognized the super low ring apron and the hospital blue mat. Tommy "Wildfire" Rich, the Junkyard Dog and that blue collar workin' man Ted DiBiase (this was before he became a plutocrat and hired Virgil) were taking on the Freebirds with Gordon Solie calling the match. I was into it right away, because fuck yes, the Freebirds. I wrapped my arm around the girl's shoulders and nestled up to her and breathed the salt sweetness of her dark hair, nuzzling behind her ear in a way that made her curl her warm perfect olive body against me as we watched.
DiBiase was so fucking scrappy in those days. He was a can-do fighter with a big soupbone right hand and a beautiful powerslam, and the Freebirds fucking hated him like poison. And the brutality got started when Terry Gordy piledrove Teddy into the fucking concrete outside the ring. They waited for him to get counted out - and DiBiase crawled back into the ring.
Bam-Bam (RIP Bigelow, but Terry had it first) didn't care for that, and piledrove him again. Big ol' Texas piledrivers, up and down, full weight vertically crashing down on the top of his head. The spasms that shook DiBiase were beautiful - not as pretty as the ones ravaging you right now, Ro, but really lovely. And Teddy kicked out at 2 and a 1/2. The shock and fury on Michael P.S. Hayes' rugged good looks were a work of art in and of themselves, but Terry Gordy just looked ...
... determined.
Ted DiBiase kicked out of one more piledriver as Gordy decried the vile act ... and then Terry just piledrove him. Again and again. Until Tommy Rich threw in the towel to save what was left of his friend's neck and skull as DiBiase spasmed on the mat.
They piledrove him into the fucking hospital, Rowan. And it flipped the switches on me and this girl in that hotel room so hard that we ended up fucking like god-damn animals even though we were still coated in the heat of an afternoon's vigorous sex. God, that girl. I wonder what ever happened to her.
And the best part, THE FUNNIEST PART: HE hadn't had his ass kicked nearly as bad as you have before they piledrove him into the fucking care of the EMTs. I've already fucked your back and your skull into oblivion and drained you of blood before I decided to start crunching your head the head the canvas with Vicious Punky Spikes. You were in way worse shape than Teddy was BEFORE you started taking piledrivers from a fucking monster.
That's the best part, isn't it? You wanted so badly to become this superior creature, this force of evil darkness, this monster ... and now I'm the one smashing you into fucking pieces. You aren't gonna pop out of the lake at the end of this movie, Rowan. You're not leaping out of the mirror as the credits roll. I laugh, ragged and raw through my ravaged throat, my eyes still red as fucking coals from being in the fucking gogoplata, blood smearing my lips.
"No fucking sequel for you." I snarl down at your shuddering, drooling form as I keep you bent over like a broken marionette in my grip.
I'll show you what a fucking monster is, Chance.
The Zenith is a theater, not a real arena. The seats are FACING us. The floor seats are in a semicircle and they climb up towards the back, and behind the ring is a stage, where we have a video screen and the announce desk with Rick and Larry, both currently pleading for your useless fucking waste of a life. This is theater in the god-damn RAW. Not even the Grand Guignol could match what we're doing here. Ionesco never saw shit this fucking real. And I wanna make sure the audience is fucking engaged.
The front row all have floor seats, right up against the heavy steel barricades in a crescent around the front half of the ring. That means we're seeing our friends and enemies as clearly as they're seeing us, right in front of us. That made it easy for you to bring me to Gemma, didn't it? It's made it tempting for Red and Tiffany and Becca to jump the barricade. It's given a great stage for Thomas to shout his fucking verse.
Thomas.
I keep a fistful of the slick blood-soaked rat's nest of your hair to keep you up, my other hand gripping the back of your shorts. Holding you bent over, blood dribbling from your lips, your hands spasming softly against the canvas. And I find his face. Well, the face he shows the world. Little Lisa Starr curled at his side like a grinning cat. And I grin at them both, my teeth flashing so white behind my own streaked crimson mask. I toss my soaked purple hair back with a flip of my head, ignoring the pulse of pain in my neck, ignoring the howl of agony from my knee as I keep my boots firmly fucking planted on the mat.
"NONNE OPINONEM, THOMAS?"
Doesn't even cross my mind he won't get that. It's Thomas.
"THIS IS WHAT YOU'VE MADE!"
I gesture with one hand at your bent, broken form swaying in my grip, at the ring soaked in blood, at the screaming crowd.
"AREN'T YOU FUCKING PROUD? LOOK AT YOUR FUCKING CRAFTSMANSHIP, YOU FUCKING SON OF A MONGREL BITCH."
And I lace your hips again, bending over, my head craned up to watch him.
And I hoist you up again with a snarl.
"SHE MADE A BAD FUCKING CHOICE," I snarl, and I DROP back again, JOLTING you into the fucking canvas, my arms flexing down to fucking SPIKE you, my legs snapping out wide even with my bound right leg shuddering in so much pain that it makes the leather of my wrapped, bound skull-studded belt creak like a ship in high wind.
I sit there, legs sprawled, watching your convulsing form on the mat. Larry's pleading has grown more ardent as Rick has subsided and sounds like he's drinking from the bottle right against the microphone. I see horror and shock and pleading and bloodthirst in the melange of faces out in the dark of the crowd, but I'm just staring into one impassive face. One hidden face.
One cowardly son of a bitch.
"She thinks she's still not FUCKING BROKEN, Thomas. That's what you made out of her. She's getting ripped to little pieces in front of you, and she thinks she's making you PROUD."
I drag you up again, and it's harder. So much harder. Like dragging a corpse from the Seine.
But I'm dragging you up, one more time, getting to my boots in a sea of blood.
"Do you think she's fucking broken, Thomas?"
My voice is a ragged, vicious snarl - but it carries through.
He can hear me.
I don't think you can, Chance.
Too fucking bad.
I start to drag your shattered form into my clutches once again ...