[Capital City Catfights]

I think that in a short fight, where both women know that the first submission is going to mean victory for one and defeat for the other, that transformation, like everything else in the fight, happens more quickly.
True, in a short match you are never going to get such an extreme situation of complete victory for one and utter, abject defeat for the other as we saw in, eg, the Artemis vs Lia Lebowe fight we were discussing once, where Lia, in effect, kept beating Artemis over and over again till the losers heart and will to win just broke completely.

At its best, a brief match can strongly engage the imagination in that direction.  Here’s a nice clip:

http://www.youtube.com/watch?v=yjWTVGk8Z9k

There are many reasons why I shouldn’t like this, which I won’t list (Ofecteau is free to chime in, of course), yet I find it very powerful.  Of the little time there, as much as half is quality time that cute, game Tori spends helpless, being ominously choked from behind in full camera view.  The sexy expression of moderate discomfort on Tori’s face is due solely to Cat’s voluntary restraint in this sort of light commercial promo.  Then when Tori tries to make a dignified show at the end, shaking her head at the outcome, I like to think she really knows that if this had been more serious, as suggested by the cage and all, things could have gone far worse for her.  Come to think of it, when CCC talks about women who “beat the shit out of each other,” when you use a “real, unscripted catfight” for reference, those things are definitely there in the background for me.

Nice little scrap. Looks like maybe the oil wrestling is a bit of light entertainment on an MMA card?
If you liked that, you might enjoy the CCC fight too!
One of the things that gives Marla vs Charlie a bit of extra atmosphere and authenticity is the fact that it's fought in a real ring, in what looks like a bona fide boxing gym. Seeing two pretty girls going at it submission catfight style in a setting like that really works for me.

That is some great stuff in that MMA ring. I can see how a lot of people could really, really, like it.

It without a doubt is unscripted with great looking girls.

Yes, that was a real boxing gym we used for the shoot. Trust me, it smelled like a real boxing ring. And there was on the wall, you cannot see it in any of the videos, an old promotional poster for Foreman vs Frazier.

[Paulzzy]

What makes a catfight or wrestling video great for one person will not make it great for another.

You will hear producers chime in that what they have is the best or the most real or the sexiest. Well that is probably true in their own individual prespective. And there is nothing wrong with that. If there are 1,000 catfight fans and 300 really like what I am doing, then I am happy. If another 300 like Double Trouble, then I really don't think they are going to crossover too much into what I am doing.

It is interesting that you talk about the lack of talent in the USA, that might be true, and it might not be. CCC has been filming for about 10 months now in one portion of the country and we have found 13 different women willing to do unscripted matches to one degree or another and filmed them. So there might be talent. But then again, our girls get pulled away by other companies the second their face is out on the street. That confuses me. I would think it would be just as easy to find talent in one city as it is another.

I really do not think there is a lack of talent, but a lack of producers. If I were to open shop in Dallas or Houston or Las Vegas, I would think I would be just as sucessful. One of the keys is finding a way to pay the women what they are worth. If you think two women are going to give you a good match for $50 or $100, you are probably not going to succeed.

We at CCC have figured out our break even point for sales. I know the figure it costs to produce a fight, and if we do not reach it, we will shut down the shop. We do not want this to become a charity. We also have the advantge of being able to do all of our filming and editing in house. We can film something and have it edited on clips4sale in under 24 hours.

Why do the foriegn women do not seem like porn stars? Well maybe over there they are porn stars?

But there are also a lack of producers for a reason. No one is getting rich off of this. Hopefully it can at least support the hobby, but with times as down as they are, I don't think these are banner years for the industry.

  I was specifically talking about topless and nude.  You have 13 decent looking women willing to do topless or nude catfight videos of one sort or another??

  I don't know-are the women of DWW European porn actresses?  I assumed them to be dancers, for the most part.

  I'm guessing the answer to both questions are negative.

  Your girls get pulled away the second their faces hit the street?    How would anyone know how to contact your girls directly?  You'd be a fool to make this info known.  How many catfighter producers are there walking the streets in your area, looking for talent to steal from a company in existence barely a year, that practically no one has heard of?

  Not to sound like the haters, sounds like some major bullshitting....

   Is there a reason you don't want to answer my questions? 

[Capital City Catfights]

I apologize, Paulzzy. I was dealing with something else when your post came through.

Not all of my fighters are willing to do topless or nude. Some are. Some are not. At minimum, they are are will to do unscripted fights. Some like to pull hair and slap more than others, but you will never have two people do anything just like the other person.

I know that four of the women who worked with me first have already been contacted by other companies, and three have filmed with other companies. I am the only catfight producer I know of based in the Washington DC, Baltimore area. It tells me that I am doing something right when I see models who have worked for me travel hundreds of miles to do a shoot, because making them travel that far is not cheap. I have noticed that once their faces seem to hit the street, they are contacted.

The fighters come from all walks of life. Some are mothers, some are fetish models, some are college students and some are dancers. (I am sure that is the same with all producers , DWW included). What I have that helps me find them is a very honest approach, and I build positive references in my area. I pay what I am supposed to pay them. I am also a member of a modeling community as a photographer that helps to give me credibility with them.

When a woman comes to fight another woman for a stranger, they need to be sure that they will be safe in the setting.

I also pay a decent amount. I do not pay as much as some, but I do pay more than others.

I hope that answers your questions.

[DoYouKnowWhoIAm?]

I know that four of the women who worked with me first have already been contacted by other companies, and three have filmed with other companies. I am the only catfight producer I know of based in the Washington DC, Baltimore area. It tells me that I am doing something right when I see models who have worked for me travel hundreds of miles to do a shoot, because making them travel that far is not cheap. I have noticed that once their faces seem to hit the street, they are contacted.

I noticed that two women you filmed then went on and fought each other for another company, so I'm sure that what you say is correct. Just wondering though, are you saying that this creates a problem for you? Is there any reason they can't come back and work for you again? I'd have thought that women moving from company to company like that would benefit producers - the women gain experience and the more money they make in your line of work, the more likely they are to stick with it.
Like I said, just wondering.

[Capital City Catfights]

I know that four of the women who worked with me first have already been contacted by other companies, and three have filmed with other companies. I am the only catfight producer I know of based in the Washington DC, Baltimore area. It tells me that I am doing something right when I see models who have worked for me travel hundreds of miles to do a shoot, because making them travel that far is not cheap. I have noticed that once their faces seem to hit the street, they are contacted.

I noticed that two women you filmed then went on and fought each other for another company, so I'm sure that what you say is correct. Just wondering though, are you saying that this creates a problem for you? Is there any reason they can't come back and work for you again? I'd have thought that women moving from company to company like that would benefit producers - the women gain experience and the more money they make in your line of work, the more likely they are to stick with it.
Like I said, just wondering.

The only problem I would have with it is if the same matchup I just filmed was attempted to be refilmed. That water down the product. But you are right about women building fans from site to site.

[DoYouKnowWhoIAm?]

I know that four of the women who worked with me first have already been contacted by other companies, and three have filmed with other companies. I am the only catfight producer I know of based in the Washington DC, Baltimore area. It tells me that I am doing something right when I see models who have worked for me travel hundreds of miles to do a shoot, because making them travel that far is not cheap. I have noticed that once their faces seem to hit the street, they are contacted.

I noticed that two women you filmed then went on and fought each other for another company, so I'm sure that what you say is correct. Just wondering though, are you saying that this creates a problem for you?

Just out of curiosity, which two girls, and what other company did they work for?

The company is Eastcoastcats and the names the girls used when they fought there were Nikita and Sakura.
Check out CCC's youtube clips and you can see them both. They're easily recognisable.